Urapun
Kai Buai (One big kin)
Torres
Strait Islanders are all related to each other; or so my grandparents,
uncles and aunties told me when I was young. Growing up in the
islands has made me see and realise that. The sharing of food
and traditional visits and staying over, in the village or on
neighbouring islands, called Garab Thiay, are important kinship
events.
Wongai
is a native fruit of our region and I use it as a metaphor for
kinship. Therefore it is placed at the very centre of this piece.
The wavy lines going outwards represent the movement of relatives
to all four corners of the Straits. This happened mainly through
intermarriage.
Identical
patterns on either side of the work represent relatives to the
East, West, North and South of our region. Tight, strong patterns
represent the bonds between extended families. These were maintained
through the practice of culture, through the choreography of dances,
song and through Garab Thiay traditional visits.
In
this work the seeds of the Wongai represent the beginnings of
a family on another island. The leaves or plants represent the
family growing there. The bearing of fruit represents a generation
of children.
Today
the increase in intermarriage has made it far more complicated
for modern Torres Strait Islanders to understand their family
relationships. The patterns on the far left and right represent
the fact that it is very important to our current elders to pass
on the knowledge of these movements of people; for our kinship
knowledge to be available to the younger generations, so they
can know and consider them.
In
the late 1800s the first genealogy of the Torres Strait was recorded
by Rivers as a part of the A. C. Haddon expedition. Later, in
1901, it was released in six volumes and through the journals
and tables of family trees you can understand these relationships.
All
of this has inspired me to turn the oral history and written journals
into a work of visual art and to call it Urapun Kai Buai (One
big kin).
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