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WATERLINE
JOANNE CURRIE NALINGU
The
importance of the river as a metaphor is a constant in the artist’s
paintings. The river takes Joanne back to the hardships of her
early life living on the banks of the Maranoa River in Mitchell,
through her own journey to today with her family in Caloundra.
Her
paintings speak of the river as a living entity, the rippling
of the surface and the changes on the water can be seen as the
many different events of her own life and provides reflection
for the viewer on our own life’s course.
I
grew up on the ‘Yumba’, by the banks of the Maranoa
River in the 1960s. I’m using black and white a lot now,
..it’s a strong contrast…I use different colours underneath
to give them a different atmosphere. When I paint the white rivers,
it’s very calm and peaceful. The black ones are harder to
paint. They remind me of the pressure around me. Painting helps
keep myself together. Thinking of family, the good times and bad
times. But that river is really a symbol of all rivers, for all
people I think…I think of the Maranoa but it could be any
river…
Joanne
Currie Nalingu has been painting professionally since 1989 and
has exhibited since 1990 in numerous solo and group exhibitions
in Australia and overseas. In 2008 she won The Wynne Prize at
The Art Gallery of NSW and has been a finalist 6 times in the
Telstra National Aboriginal & Torres Strait Islander Awards
at the Museum and Art Gallery of the Northern Territory, Darwin.
She has also exhibited at the Institute of Modern Art, Brisbane;
Australian Centre of Contemporary Art, Melbourne and Queensland
regional galleries. Joanne’s work is held in numerous private
and public collections including: Queensland Art Gallery/GoMA;
Queensland Museum; Museum of Brisbane; The Brisbane Airport Corporation
and collaborative public artworks with Campfire group artists
in Sydney, Brisbane, Gold Coast and the Sunshine Coast.
As
we celebrate 150 years of the establishment of Brisbane as a municipality
throughout 2009, Museum of Brisbane is presenting work by Indigenous
artists to celebrate, acknowledge and honour the long history,
culture and heritage of Indigenous people of the region.
Maranoa
River
"This concept is derived from my ongoing work and interest
in the ‘Maranoa’ cultural material and designs from
the Mandandanji people (Gunguri language group) of the Mitchell
area in South West Queensland. I grew up in there in the 1960’s
on the ‘Yumba’, by the banks of the Maranoa River."
Dark
River Line, Museum of Brisbane
(Photo credit: Carl Warner)
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