Media
Release – 20 August 2010
Exhibition dates Saturday 28 August to Saturday 2 October 2010
Exhibition Opening Wednesday 1 September from 5.30-8pm
All
is Calm
A
radiant exhibition of 25 new works by celebrated Indigenous
women artists exploring
‘country in mind’. Each artist interprets facets
of their own emotional journeys into personal landscapes.
Opening
the first day of spring!
Whilst
many Indigenous artworks often highlight the idea of going back
to country, the selection criteria for these works more so alludes
to a process of arrival… ideally to a better place - where
all is calm - all is bright!
The
mood of these works is still and serene - indeed several of
the paintings are predominantly white in palette, or vivid monochromes,
often pared back with a minimalist sensibility. Dorothy Napangardi
(Warlpiri), Kathleen Petyarre (Anmatyerr) and Joanne Currie
(Gungurri) are all award winning painters, whilst Jenny Fraser
(Bandjalung) is an award winning new media artist showing digital
based works. From geographically diverse origins – ranging
from the salt lakes and spinifex heartlands of the Northern
Territory, through the wind-swept lands and watercourses of
Western Queensland to the eastern seaboard in Northern New South
Wales – but common to all is a deep seated security and
underlying confidence in the flora and fauna of their indigenous
homelands.
Dorothy
Napangardi has said: While I’m doing my paintings
I always have my family in mind. I have my country in mind.
A few years ago we went back to Mina Mina to see my country.
We’re going back soon, for more singing, dancing, painting
up, making our Jukurrpa. Mina Mina my country.
Kathleen Petyarre has said: Those early
days...seem like a dream. When I look back on those days my
happiest time [was] when I ran around that spinifex country
carrying my yam stick and my fire stick. I really loved that
old spinifex country.
Queenslander Joanne Currie Nalingu is more
reserved, humble and diffident. Currie’s principal identity
marker, in terms of place, is a watercourse, the Maranoa River,
in south-west Queensland. Yumba Mission, on the banks of the
Maranoa, is where Currie spent her early years. Joanne Currie
Nalingu’s childhood was not as secure and untroubled as
Petyarre’s: her identity was forged in a fiery crucible
of familial alcoholism, violence and dysfunction. Dealing with
the challenges of such an upbringing has endowed Joanne Currie
with steely determination. A non-drinker, she unequivocally
condemns excessive alcohol consumption and its inevitably devastating
consequences (Christine Nicholls Ripples on the Water –
Lines in the Sands 2010).
Jenny Fraser explores casual, candid but confronting
photographic images of loss and lament with her Roadkill series.
The works focus on the impact of progress and devastation. She
says: With regard to the power of communication between
people, the Super Highways and other road networks of Australia
now could be likened to the ancient song lines of old, but with
such devastation caused by our thoroughfare, what song are we
offering to the victims? A death march? Clearly the minds of
progress do not have much consideration for the movements and
habits of our animals.
Through
her powerful and beautiful paintings, Abie Loy Kemarre
conveys to the viewer the sensitivity and strength
she derives from her Dreaming… and her country.
For all information regarding these exhibitions as well
as artist and gallery profiles you may visit
www.fireworksgallery.com.au.
FireWorks Gallery 52a Doggett Street Newstead
Director Michael Eather
Enquires michael@fireworksgallery.com.au mobile
0418 192 845
FireWorks Gallery is open from Tuesday to Friday 10am-6pm, Saturday
10am to 4pm, and by appointment.