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Maranoa River
"This concept is derived from my ongoing work
and interest in the ‘Maranoa’ cultural material and
designs from the Mandandanji people (Gunguri language group) of
the Mitchell area in South West Queensland. I grew up in there
in the 1960’s on the ‘Yumba’, by the banks of
the Maranoa River."
Joanne
Currie grew up on the riverbanks of the Maranoa at the
Yumba, an Aboriginal Mission outside of Mitchell in southwest
Queensland. Joanne's childhood memories are of a grass roots lifestyle
– families and hardships.
Whilst Joanne began painting in 1988, it was 1992 when Joanne
began her cultural research – Maranoa cultural material
and designs from the Mandandanji people (Gunguri language group)
- that has culminated in the current artworks. She was searching
for an accurate way to represent the visual language of her people
and country. She was searching for her tribal roots.
Joanne spent considerable time at the Queensland Museum examining
the collection of shield designs from the area. The important
information she gathered from the collection has been merged with
her constant ongoing investigations into formal colour and composition
to produce remarkable interpretations of traditional motifs. The
Maranoa shield designs are largely based on intersecting diamond
patterns and body paint lines. The oval shape of the shield itself
is also used as a visual element. The idea of Waterways is referenced
by linear designs of the river and clay pans.
Joanne
Currie has realised a highly charged individual style that, whilst
instantly recognisable as Aboriginal, speaks of her journey as
an artist moving within cultures – artwork that holds to
tradition yet speaks with authority of the here and now.
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